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Emilio Grossi – “Retrospect” – Art Exhibit & Sale
B/W Photography & Minimalist Paintings
The MAC is pleased to host an exclusive area exhibition of works by Emilio Grossi – a retrospective art exhibit and sale of large format B/W Photography & Minimalist Paintings of this renowned artist.
Firehouse Gallery
- Thu September 25th – 4pm to 7pm
- Fri September 26th – 3pm to 6pm
- Sat September 27th – 12pm to 5pm
- Sun September 28th – 12pm to 3pm
Free and Open to the Public
Art+,
Community Plus,
Pop-Up

Emilio Grossi
1926 – 2014
After earning a B.F.A. from Rhode Island School of Design and an M.F.A. from Yale University, he taught at the Cleveland Institute of Art where he founded the Department of Photography. Returning to New York, he was employed as a graphic designer with the firm of I.M.Pei & Associates as well as being a Visiting Critic at the University of Pennsylvania and an Adjunct Professor at The Cooper Union.
Some of his design assignments included clients such as General Electric, Sperry Rand, TWA and Standard Brands. He was chosen to design a post card for the U.S. Postal Service commemorating 150 years of the U.S. Census. He became Art Director for Metromedia Television and subsequently Senior Art Director for Fox Television New York.
- Grossi’s work in Photography and Painting can be characterized as minimalist and shows strong influence of his teachers Josef Albers, Herbert Matter, Paul Rand, and Norman Ives.
- He specialized in black and white photography with a heavy emphasis on large format cameras.
- He has attributed his dual disciplines, painting and photography, to the influence of Charles Sheeler mastering both in his remarkable career.
- Grossi’s photography shows included one man shows at the Cleveland Institute of Art, The University of Texas, the Mansfield Ohio Museum, and the Providence Public Library.
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Website: https://www.emiliogrossi-art.com/
For Sale Site: https://www.ebay.com/str/emiliogrossiart?_trksid=p2334524.m570.l113337
Over a career that spanned six decades Grossi captured countless images, in studio and in the field.

Whereas his photographs are nuanced and sensitive to his subject matter, his paintings are handsome but rigidly controlled graphic exercises in geometry, often abstract, in flat, mainly primary colors, and in perspective.




